Lumedyne is location lighting and portable professional flash equipment.
We offer Cyclers and the X to power other brands of flashes. And, we have a modular flash system that has a proven track record of being a highly reliable source of light for professional photographers for over 45 years.
To build a full flash system, you wil need a Power Pack, a Flash Head, a Battery and a Charger. Some added cables and accessories might be a great addition and you need to trigger the system with a radio or light slave or a sync cord.
We have photographers on staff to answer your questions, so give us a call and let us help you create your own perfect lighting solution for on location.
This is a high quality Op/Tech shoulder strap designed for years of use with elastic and neoprene springs that engage in making it comfortable and feeling like there is less weight on your shoulder while you carry the Lumedyne Pack system around.
The set of two switch caps include a red and white one for the top of the Lumedyne Power Packs.
Using the switch covers helps extend the lifespan of the switch by keeping dust and debris out of it.
The ASC5 is the long straight sync cord (30 feet is about 9 meters) that would plug from the round sync jack on many professional cameras to the household sync jack on many Lumedyne Flash Heads.
It's perfect as a back up option to radio slaves when you want an off camera light and you have a PC sync connection or adapter on your camera.
The ASC1 is the short coiled sync cord that would plug from the round sync jack on many professional cameras to the household sync jack on many Lumedyne Flash Heads.
It is about two feet long before stretching the coils out and could reach almost five feet (but might not shrink back all the way if stretched too far).
This square softbox speed ring is made of plastic and surrounds a machined aluminum center neck that replaces the Lumedyne reflector so the flashtube is well inside the back of the softbox.
It has a 1/4-20 threaded mount to use directly on the lightstand or with a swivel so even large square and rectangular softboxes can be used. The Flash Head is hanging onto the rear at the reflector mount but without any leverage or weight on it.
The ARWD is a silver five inch reflector and it has a shorter neck than the Standard one. That's why it sets further back from the flashtube and broadcasts a wider angle of coverage. This creates a wider broadcast of light within a one f-stop range with the first setting at a wide 80 degrees.
In the first setting it is about as wide as the wider setting of the normal reflector but then it goes to extra wide 95 degrees coverage when it drops back into its dual notches.
The ARST is the normal two position Reflector that we include with most all of our Flash Heads when new. It has a hammer dimple finish on a parabolic shape that is award winning in its design in relationship to the flashtube. When it is sitting in the forward position it is normal coverage and when it drops back into the two notches, it broadcasts a wider angle.
The small ARSG Snoot fits over the Lumedyne flashtubes where the reflector normally mounts and tightens into place like any other reflector. It has a narrow opening for the light to escape at the open end. In addition to this limited field of view, the beam of light can be further limited and controlled with the small grid that fits the end of the snoot.
The AR5K is the normal size as we have used for all of these years which is five inches across. This reflector is black on the outside with a shiny silver finish inside. The kit includes a grid to keep the angle limited to about 40 degrees. A simple plastic diffuser cover is also included.